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Period
Byzantine
Date
c. 1425–50
Collection
Cleveland Museum of Art
Object no.
2010.154

Icon of the Mother of God and Infant Christ (Virgin Eleousa)

Attributed to Angelos Akotantos, c. 1425–50

Large gold-ground icon of the Virgin pressing her cheek to the Christ Child, who reaches up towards her face

Cleveland Museum of Art · Leonard C. Hanna Jr. Fund · Public domain

The record

Maker
Attributed to Angelos Akotantos
Date
c. 1425–50
Medium
Tempera and gold on wood
Dimensions
96 × 70 cm (unframed)
Period
Byzantine

Why it matters

In the Eleousa type the Virgin presses her cheek to the Child’s in an image of tenderness that also anticipates her grief. The scale of this panel suggests it hung on the iconostasis of an Orthodox church, and Cleveland attributes it to Angelos Akotantos, a painter based in Venetian-ruled Candia on Crete whose work was sought by clients in and beyond the shrinking Byzantine world. It shows the Byzantine tradition continuing, on Crete, past the fall of Constantinople in 1453.